"Wars of Plunder"

New from Oxford University Press: Wars of Plunder: Conflicts, Profits and the Politics of Resources by Philippe Le Billon.

About the book, from the publisher:

From Angola and Liberia to Iraq and the Congo, wars have taken place in resource rich countries full of poor people. In Wars of Plunder Philippe Le Billon explores how resources have shaped recent conflicts, and what the international community has tried to do about it. Focusing on key resources-oil, diamonds, and timber-he argues that resources and wars are linked in three main ways. First, resource revenues finance belligerents, a trend that has become all the more conspicuous since the withdrawal of Cold War foreign sponsorship in the late 1980s. Although the 'War on Terror' has redefined military assistance and the internationalisation of war, many belligerents continue to rely on and profit from 'conflict resources'. Second, resource exploitation generates conflict. As global demand for raw materials has sharply increased, competition over critical resources such as oil has resulted in a flurry of 'resource conflicts', from local community struggles against mining multinationals to regional and international tensions. Third, economic shocks and poor governance sharply increase the risk of war (the 'resource curse'). While today's resource boom is a major economic opportunity for resource rich but poor countries, reliance on resource exports often implies sharp economic downturns. Not all resources are the same, however, and effective responses are at hand. Sanctions, military interventions and wealth sharing have helped bring an end to conflicts, yet only deeper domestic and international reforms in resource governance can stop the plunder.

--Marshal Zeringue

"Seeing Race in Modern America"

New from the University of North Carolina Press: Seeing Race in Modern America by Matthew Pratt Guterl.

About the book, from the publisher:

In this fiercely urgent book, Matthew Pratt Guterl focuses on how and why we come to see race in very particular ways. What does it mean to see someone as a color? As racially mixed or ethnically ambiguous? What history makes such things possible? Drawing creatively from advertisements, YouTube videos, and everything in between, Guterl redirects our understanding of racial sight away from the dominant categories of color--away from brown and yellow and black and white--and instead insists that we confront the visual practices that make those same categories seem so irrefutably important.

Zooming out for the bigger picture, Guterl illuminates the long history of the practice of seeing--and believing in--race, and reveals that our troublesome faith in the details discerned by the discriminating glance is widespread and very popular. In so doing, he upends the possibility of a postracial society by revealing how deeply race is embedded in our culture, with implications that are often matters of life and death.

The Page 99 Test: Matthew Pratt Guterl's American Mediterranean.

--Marshal Zeringue

"The Beau Monde"

New from Oxford University Press: The Beau Monde: Fashionable Society in Georgian London by Hannah Greig.

About the book, from the publisher:

Caricatured for extravagance, vanity, glamorous celebrity and, all too often, embroiled in scandal and gossip, 18th-century London's fashionable society had a well-deserved reputation for frivolity. But to be fashionable in 1700s London meant more than simply being well dressed. Fashion denoted membership of a new type of society - the beau monde, a world where status was no longer determined by coronets and countryseats alone but by the more nebulous qualification of metropolitan 'fashion'. Conspicuous consumption and display were crucial; the right address, the right dinner guests, the right possessions, the right jewels, the right seat at the opera.

The Beau Monde leads us on a tour of this exciting new world, from court and parliament to London's parks, pleasure grounds, and private homes. From brash displays of diamond jewelry to the subtle complexities of political intrigue, we see how membership of the new elite was won, maintained - and sometimes lost. On the way, we meet a rich and colorful cast of characters, from the newly ennobled peer learning the ropes and the imposter trying to gain entry by means of clever fakery, to the exile banned for sexual indiscretion.

Above all, as the story unfolds, we learn that being a Fashionable was about far more than simply being 'modish'. By the end of the century, it had become nothing less than the key to power and exclusivity in a changed world.

Visit Hannah Greig's website.

--Marshal Zeringue

"A Word from Our Sponsor"

New from Fordham University Press: A Word from Our Sponsor: Admen, Advertising, and the Golden Age of Radio by Cynthia B. Meyers.

About the book, from the publisher:

The behind-the-scenes story of how admen and sponsors helped shape broadcasting into a popular commercial entertainment medium.

During the "golden age" of radio, from roughly the late 1920s until the late 1940s, advertising agencies were arguably the most important sources of radio entertainment. Most nationally broadcast programs on network radio were created, produced, written, and/or managed by advertising agencies: for example, J. Walter Thompson produced "Kraft Music Hall" for Kraft; Benton & Bowles oversaw "Show Boat" for Maxwell House Coffee; and Young & Rubicam managed "Town Hall Tonight" with comedian Fred Allen for Bristol-Myers. Yet this fact has disappeared from popular memory and receives little attention from media scholars and historians. By repositioning the advertising industry as a central agent in the development of broadcasting, author Cynthia B. Meyers challenges conventional views about the role of advertising in culture, the integration of media industries, and the role of commercialism in broadcasting history.

Based largely on archival materials, A Word from Our Sponsor mines agency records from the J. Walter Thompson papers at Duke University, which include staff meeting transcriptions, memos, and account histories; agency records of BBDO, Benton & Bowles, Young & Rubicam, and N. W. Ayer; contemporaneous trade publications; and the voluminous correspondence between NBC and agency executives in the NBC Records at the Wisconsin Historical Society.

Mediating between audiences' desire for entertainment and advertisers' desire for sales, admen combined "showmanship" with "salesmanship" to produce a uniquely American form of commercial culture. In recounting the history of this form, Meyers enriches and corrects our understanding not only of broadcasting history but also of advertising history, business history, and American cultural history from the 1920s to the 1940s.

Visit the A Word from Our Sponsor website.

--Marshal Zeringue

"Sex on Show"

New from the University of California Press: Sex on Show: Seeing the Erotic in Greece and Rome by Caroline Vout.

About the book, from the publisher:

The ancient Greeks and Romans were not shy about sex. Phallic imagery, sex scenes, and the lively activities of their promiscuous gods adorned many objects, buildings, and sculptures. Drinking cups, oil-lamps, and walls were decorated with scenes of seduction; statues of erect penises served as boundary-stones and signposts; and marble satyrs and nymphs grappled in gardens.

Caroline Vout examines the abundance of sexual imagery in Greek and Roman culture. Were these images intended to be shocking, humorous, or exciting? Are they about sex or love? How are we to know whether our responses to them are akin to those of the ancients? The answers to these questions provide fascinating insights into ancient attitudes toward religion, politics, sex, gender, and the body. They also reveal how the ancients saw themselves and their world, and how subsequent centuries have seen them. Beautifully illustrated throughout, this lively and thought-provoking book not only addresses theories of sexual practice and social history, it is also a visual history of what it meant and still means to stare sex in the face.

--Marshal Zeringue

"Leisurely Islam"

New from Princeton University Press: Leisurely Islam: Negotiating Geography and Morality in Shiite South Beirut by Lara Deeb and Mona Harb.

About the book, from the publisher:

South Beirut has recently become a vibrant leisure destination with a plethora of cafés and restaurants that cater to the young, fashionable, and pious. What effects have these establishments had on the moral norms, spatial practices, and urban experiences of this Lebanese community? From the diverse voices of young Shi'i Muslims searching for places to hang out, to the Hezbollah officials who want this media-savvy generation to be more politically involved, to the religious leaders worried that Lebanese youth are losing their moral compasses, Leisurely Islam provides a sophisticated and original look at leisure in the Lebanese capital.

What makes a café morally appropriate? How do people negotiate morality in relation to different places? And under what circumstances might a pious Muslim go to a café that serves alcohol? Lara Deeb and Mona Harb highlight tensions and complexities exacerbated by the presence of multiple religious authorities, a fraught sectarian political context, class mobility, and a generation that takes religion for granted but wants to have fun. The authors elucidate the political, economic, religious, and social changes that have taken place since 2000, and examine leisure's influence on Lebanese sociopolitical and urban situations.

Asserting that morality and geography cannot be fully understood in isolation from one another, Leisurely Islam offers a colorful new understanding of the most powerful community in Lebanon today.

--Marshal Zeringue

"Licensed to Practice"

New from the Johns Hopkins University Press: Licensed to Practice: The Supreme Court Defines the American Medical Profession by James C. Mohr.

About the book, from the publisher:

Licensed to Practice begins with an 1891 shooting in Wheeling, West Virginia, that left one doctor dead and another on trial for his life. Formerly close friends, the doctors had fallen out over the issue of medical licensing. Historian James C. Mohr calls the murder "a sorry personal consequence of the far larger and historically significant battle among West Virginia's physicians over the future of their profession."

Through most of the nineteenth century, anyone could call themselves a doctor and could practice medicine on whatever basis they wished. But an 1889 U.S. Supreme Court case, Dent v. West Virginia, effectively transformed medical practice from an unregulated occupation to a legally recognized profession. The political and legal battles that led up to the decision were unusually bitter—especially among physicians themselves—and the outcome was far from a foregone conclusion.

So-called Regular physicians wanted to impose their own standards on the wide-open medical marketplace in which they and such non-Regulars as Thomsonians, Botanics, Hydropaths, Homeopaths, and Eclectics competed. The Regulars achieved their goal by persuading the state legislature to make it a crime for anyone to practice without a license from the Board of Health, which they controlled. When the high court approved that arrangement—despite constitutional challenges—the licensing precedents established in West Virginia became the bedrock on which the modern American medical structure was built. And those precedents would have profound implications. Thus does Dent, a little-known Supreme Court case, influence how Americans receive health care more than a hundred years after the fact.

--Marshal Zeringue

"Wrong: Nine Economic Policy Disasters and What We Can Learn from Them"

New from Oxford University Press: Wrong: Nine Economic Policy Disasters and What We Can Learn from Them by Richard S. Grossman.

About the book, from the publisher:

In recent years, the world has been rocked by major economic crises, most notably the devastating collapse of Lehman Brothers, the largest bankruptcy in American history, which triggered the breathtakingly destructive sub-prime disaster. What sparks these vast economic calamities? Why do our economic policy makers fail to protect us from such upheavals?

In Wrong, economist Richard Grossman addresses such questions, shining a light on the poor thinking behind nine of the worst economic policy mistakes of the past 200 years, missteps whose outcomes ranged from appalling to tragic. Grossman tells the story behind each misconceived economic move, explaining why the policy was adopted, how it was implemented, and its short- and long-term consequences. In each case, he shows that the main culprits were policy makers who were guided by ideology rather than economics. For instance, Wrong looks at how America's unfounded fear of a centralized monetary authority caused them to reject two central banks, condemning the nation to wave after wave of financial panics. He describes how Britain's blind commitment to free markets, rather than to assisting the starving in Ireland, led to one of the nineteenth century's worst humanitarian tragedies- the Irish famine. And he shows how Britain's reestablishment of the gold standard after World War I, fuelled largely by a desire to recapture its pre-war dominance, helped to turn what would otherwise have been a normal recession into the Great Depression. Grossman also explores the Smoot-Hawley Tariff of 1930, Japan's lost decade of the 1990s, the American subprime crisis, and the present European sovereign debt crisis.

Economic policy should be based on cold, hard economic analysis, Grossman concludes, not on an unquestioning commitment to a particular ideology. Wrong shows what happens when this sensible advice is ignored.

See: the Page 99 Test: Unsettled Account: The Evolution of Banking in the Industrialized World since 1800 by Richard S. Grossman.

--Marshal Zeringue

"Divine Fury"

New from Basic Books: Divine Fury: A History of Genius by Darrin M. McMahon.

About the book, from the publisher:

Genius. With hints of madness and mystery, moral license and visionary force, the word suggests an almost otherworldly power: the power to create, to divine the secrets of the universe, even to destroy. Yet the notion of genius has been diluted in recent times. Today, rock stars, football coaches, and entrepreneurs are labeled 'geniuses,' and the word is applied so widely that it has obscured the sense of special election and superhuman authority that long accompanied it.

As acclaimed historian Darrin M. McMahon explains, the concept of genius has roots in antiquity, when men of prodigious insight were thought to possess — or to be possessed by — demons and gods. Adapted in the centuries that followed and applied to a variety of religious figures, including prophets, apostles, sorcerers, and saints, abiding notions of transcendent human power were invoked at the time of the Renaissance to explain the miraculous creativity of men like Leonardo and Michelangelo.

Yet it was only in the eighteenth century that the genius was truly born, idolized as a new model of the highest human type. Assuming prominence in figures as varied as Newton and Napoleon, the modern genius emerged in tension with a growing belief in human equality. Contesting the notion that all are created equal, geniuses served to dramatize the exception of extraordinary individuals not governed by ordinary laws. The phenomenon of genius drew scientific scrutiny and extensive public commentary into the 20th century, but it also drew religious and political longings that could be abused. In the genius cult of the Nazis and the outpouring of reverence for the redemptive figure of Einstein, genius achieved both its apotheosis and its Armageddon.

The first comprehensive history of this elusive concept, Divine Fury follows the fortunes of genius and geniuses through the ages down to the present day, showing how — despite its many permutations and recent democratization — genius remains a potent force in our lives, reflecting modern needs, hopes, and fears.

Visit the Divine Fury website and Darrin McMahon's website.

--Marshal Zeringue

"God's Agents: Biblical Publicity in Contemporary England"

New from the University of California Press: God's Agents: Biblical Publicity in Contemporary England by Matthew Engelke.

About the book, from the publisher:

The British and Foreign Bible Society is one of the most illustrious Christian charities in the United Kingdom. Founded by evangelicals in the early nineteenth century and inspired by developments in printing technology, its goal has always been to make Bibles universally available. Over the past several decades, though, Bible Society has faced a radically different world, especially in its work in England. Where the Society once had a grateful and engaged reading public, it now faces apathy—even antipathy—for its cause. These days, it seems, no one in England wants a Bible, and no one wants other people telling them they should: religion is supposed to be a private matter. Undeterred, these Christians attempt to spark a renewed interest in the Word of God. They’ve turned away from publishing and toward publicity to “make the Bible heard.”

God’s Agents is a study of how religion goes public in today’s world. Based on over three years of anthropological research, Matthew Engelke traces how a small group of socially committed Christians tackle the challenge of publicity within what they understand to be a largely secular culture. In the process of telling their story, he offers an insightful new way to think about the relationships between secular and religious formations: our current understanding of religion needs to be complemented by greater attention to the process of generating publicity. Engelke argues that we are witnessing the dynamics of religious publicity, which allows us to see the ways in which conceptual divides such as public/private, religious/secular, and faith/knowledge are challenged and redefined by social actors on the ground.

--Marshal Zeringue